Hello? Is it me you're looking fooooorrr?
Anyways...
Quote:
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Originally Posted by Swanky Verse 1:
hello, can you hear my heart race?
I know it's been awhile since we've talked
and even longer since I've listened |
I like this opening. It's a little short, but it's a suitable introduction to the mood and feel of the song
Quote:
Chorus 1:
But I
I don't have reasons
I don't even have excuses
that I can comprehend
I can't can't find my feet
let alone the floor to kneel
won't you hold me now?
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The bolded lines are the strongest in my opinion.The other lines are good, but they don't grab me as much as those two.
Quote:
Verse 2:
"my dear," you said. "I know your heart,
better than you do."
How am I supposed to know? Because
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Hrm, not as strong as the first verse. This one's a little piecemeal and a little too ordinary.
Quote:
Chorus 2:
I
I don't have reasons
I don't even have excuses
that I can comprehend
I can't
can't find my feet
let alone the floor, to kneel
won't you catch me when I'm
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This obviously isn't a typical verse/chorus/verse/chorus deal as you're changing things around. Musically it may follow that structure but I wouldn't label it as such in your lyrics. That may just be me though.
Quote:
Bridge:
on my way down
down onto my knees
I don't need the floor
I'll fall until I'm on my face
as long as I can say
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I like "I don't need the floor" and the rest is fairly strong as well.
Quote:
Chorus 3:
I
I don't have reasons
I don't even have excuses
that I can comprehend
I can't
can't find my feet
let alone the floor, to kneel
won't you catch me
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Good good. But I'm not sure I like the progression of the last line of each of the choruses. You start off asking God to hold you, then ask Him to catch you? That seems a little strange. I'd like to see a different line in the first chorus and make the line in this last chorus "Won't you hold me." Get a progression from falling (or something), to catching, to holding.
Quote:
Outro:
"hello," you said, as I rest in your arms again
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Not bad at all. Good song, I like it. A little ordinary in a couple places, but you've got some great lines here and a good theme running throughout the piece. Strong work.