(After he finally gets his computer running again)
Well, a descant is a verse that is usually, albeit not
always, superimposed over another, main or melody
verse, which is the case here.
A round is very similar, a rotating series of verses
which, when combined in a staggering rotation, creates
it's own harmony. A second stanza can be said to be
sort or a descant for the first, like "Row, Row, Row
your Boat" : Stanza 2 superimposes over stanza one,
and harmonises.
A more contemporary example:
In the song "I will Testify (to Love)" the descant for
the first part of the Chorus, or Refrain:
"For as long as i shall live
I will testify to Love
I'll be a witness in the silences
when words are not enough"
the descant is:
"For - as - long - as - i - shall - live
i will testify, testify, all'a my life
i'll testify!" , and etc. (There are actually
3 descants in that song.) The female
or high tenors sing this descant while
the lead vocalist sings the chorus verse.
The descant and melody combine to harmonise
in a unique manner, the timings are different,
but mathematically related so they work out.
Did this make sense?
In my song, the descant is in italics, and is sung
directly over the verse beneath it. Or, it can form
it's own verse and be put into rotation with the
regular verses in round. Or possibly a canon.
( canon is a round with verses and a distinct ending,
viz: The Welcome Canon (
18th Century, probably from the Americas)
a 3 part round.
Good Welcome to all
who will join in the fun
a canon we're singing
and this is part one
Good Welcome to all,
and to some bid
adieu,
a canon we're singing
and this is part two.
Good Welcome to all,
who's voices blend
a canon we've sung
and this is the end--. )
So, that's a description of how it works.
Now, to get out to the adat and record an
example! That will be hard to do before
Christmas. I hope this might describe a little
better what i tried to describe earlier.
-g.