| Okay for alto for jazz, I use a Yangisawa Metal with the included lig. For classical I haven't found any need for anything other than my Selmer C*.
I've played with professionals that have suggested Claude Lakeys, or Rico Royal Grafonite. The Graftonite only as a backup though. I've also known lots of people use Links, Meyers, or Ponzol.
Other than the Yangisawa (which is really mellow for a metal mpc) I really don't suggest using a metal mpc for Alto. It usually ends up too bright and too harsh.
What sax are you using, it'd give me more of an idea of what kind of sound combination would work. Different saxes have different timbres and can work better with some than others.
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