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View Poll Results: Which option sounds best. | |
Option 1.
|    | 1 | 11.11% | |
Option 2.
|    | 6 | 66.67% | |
Option 3.
|    | 2 | 22.22% |
11-10-2009, 12:09 PM
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#16 | | Registered User
Joined: Oct 2009 Posts: 18
| Coming at this from anojther view....an effects loop to me is useless unless it is footswitchable. And again, unless you are applying effects to a clean tone like a Vox or Fender, then you wont find much difference between loop or in teh front of teh amp. And like has been mentioned, if you are looking for killer cleans, low wattage is not the right idea.
If it is less than 20 watts leave the loop out.
I have an effects loop on my HRD and dont use it smply because having 4 cables running to the amp is just too complicated (footswitch, guitar in, loop in, loop out). |
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11-10-2009, 03:46 PM
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#17 | | Bulldogge Administrator
Joined: Jun 2001 Location: Beaverton, Or Posts: 37,720
| Now you are making this high gain from the preamp, yes?
I was under the impression you were. If so, IMO, a loop is a must have for me. I like to run delays after my preamp distortion. Thus, I need me a loop. The amount of watts do not matter to me. If your design is nearly all Power Amp distortion, then the loop WILL be useless. If you are providing the ability to get a lot of preamp distortion from 12ax7's you really need the loop.
I might go class A/B and keep the loop.
__________________ For this I will be judged.
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11-10-2009, 05:55 PM
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#18 | | Registered User
Joined: Mar 2005 Location: 2 miles from banville Posts: 3,584
| Quote:
Originally Posted by BillSPrestonEsq Now you are making this high gain from the preamp, yes?
I was under the impression you were. If so, IMO, a loop is a must have for me. I like to run delays after my preamp distortion. Thus, I need me a loop. The amount of watts do not matter to me. If your design is nearly all Power Amp distortion, then the loop WILL be useless. If you are providing the ability to get a lot of preamp distortion from 12ax7's you really need the loop.
I might go class A/B and keep the loop. | Medium gain from the preamp. Power amp will provide the rest. Basically, its a focus on getting both if desired, or one or the other.
__________________ RubberChipmunk
Mar 2005 - Oct 2010
Never forget the lulz. |
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11-10-2009, 06:05 PM
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#19 | | Bulldogge Administrator
Joined: Jun 2001 Location: Beaverton, Or Posts: 37,720
| Quote:
Originally Posted by RubberChipmunk Medium gain from the preamp. Power amp will provide the rest. Basically, its a focus on getting both if desired, or one or the other. | if the preamp can provide sufficient, I think option 3 is best. It takes almost nothing more, but allows for additional functionality. Thats my thought at least.
Besides, you guys have one crazy stand out feature in the loop design.
__________________ For this I will be judged.
My Life. POW! |
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11-10-2009, 06:10 PM
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#20 | | Now with Banstick™ Super Moderator
Joined: Jun 2003 Location: Nashville Posts: 8,143
| I know I'm in the minority, but I'd lean more towards having it just because I would use the amp in a number of different ways and having the loop as an option is pretty vital.
That said, I'd totally rather have a killer sounding amp that is good at what it does than an effects loop. |
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11-10-2009, 09:29 PM
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#21 | | Registered User
Joined: Mar 2005 Location: 2 miles from banville Posts: 3,584
| Based on your responses and the fact that adding these loops is a negligible cost to us, we are going to go with Option 3 and provide both Parallel Single Ended Class A operation and effects loops. We can change it to Push-Pull Class A for an upcharge. For another upcharge I can probably make it so you can switch between the two. We want everyone to be able to get exactly the tone they are wanting to hear out of their amplifier, so it only makes sense to offer both options for those with a preference for one or the other.
__________________ RubberChipmunk
Mar 2005 - Oct 2010
Never forget the lulz.
Last edited by RubberChipmunk; 11-12-2009 at 02:34 PM.
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11-11-2009, 03:21 PM
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#22 | | Meat Popsicle
Joined: Nov 2004 Posts: 10,294
| Oh yeah, our amps WILL, btw, go to 11.
__________________ Current Rig:
Guitars: The NightShade, Ibanez Artcore AG-85, Rogue ST-4 (and not ashamed of it)
Pedals: Dunlop Crybaby -> BYOC Lazy Sprocket -> SBN Soviet Power Booster -> SBN Modded Ibanez TS7 Tube Screamer -> Danelectro Cool Cat Fuzz -> SBN Discombobulamodulator -> Modded EHX Nano Small Clone -> Korg Pitchblack Tuner.
Amps: Vox Night Train, B52 AT-100
Cabs: Peavey 412 Slanted Cab and B52 AT-100 Combo Cab (sometimes connected to the Night Train). |
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11-12-2009, 01:52 PM
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#23 | | Registered User
Joined: Mar 2005 Location: 2 miles from banville Posts: 3,584
| Are we going to actually number them to eleven?
__________________ RubberChipmunk
Mar 2005 - Oct 2010
Never forget the lulz. |
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11-12-2009, 01:55 PM
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#24 | | Bulldogge Administrator
Joined: Jun 2001 Location: Beaverton, Or Posts: 37,720
| for the monster, have you ever thought of doing dual power amps? Adding a practice mode with maybe a 1-3 watt little tube power amp would seriously be awesome.
__________________ For this I will be judged.
My Life. POW! |
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11-12-2009, 02:24 PM
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#25 | | Registered User
Joined: Mar 2005 Location: 2 miles from banville Posts: 3,584
| Quote:
Originally Posted by BillSPrestonEsq for the monster, have you ever thought of doing dual power amps? Adding a practice mode with maybe a 1-3 watt little tube power amp would seriously be awesome. | Off the top of my head, two ideas to accomplish this come to mind. I could make a switch between Push-pull A and Push-pull AB. I could make that same switch go from Push-pull A to Parallel A. I could then add a switch that would turn all but one tube off. Couple that with a triode switch, and we're in business. This has the advantage of giving you high lower, low power, and every power in between, at the disadvantage of being a royal pain in the ass to wire and provide switching for. The other option would be to do just what you said and add either a tiny little EL84 in Single-ended Class A or copy what Blackstar did and wire a 12BH7 or some other dual-triode in Push-pull Class A with itself as a practice mode power section. I think this would, however, require a second output transformer and outputs. I'm not entirely sure on that.
I know most companies offer headphone jacks to accomplish practice modes. These are usually driven only by the preamp into a Solid State OP-Amp output section. What you suggest is actually a really, really good idea that I'd really like to explore once I get some time to experiment with it.
This also brings to mind another really, really good idea, but I'd like to run it by Ax and get his input before saying anything here.
__________________ RubberChipmunk
Mar 2005 - Oct 2010
Never forget the lulz. |
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11-12-2009, 02:39 PM
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#26 | | Bulldogge Administrator
Joined: Jun 2001 Location: Beaverton, Or Posts: 37,720
| Quote:
Originally Posted by RubberChipmunk Off the top of my head, two ideas to accomplish this come to mind. I could make a switch between Push-pull A and Push-pull AB. I could make that same switch go from Push-pull A to Parallel A. I could then add a switch that would turn all but one tube off. Couple that with a triode switch, and we're in business. This has the advantage of giving you high lower, low power, and every power in between, at the disadvantage of being a royal pain in the ass to wire and provide switching for. The other option would be to do just what you said and add either a tiny little EL84 in Single-ended Class A or copy what Blackstar did and wire a 12BH7 or some other dual-triode in Push-pull Class A with itself as a practice mode power section. I think this would, however, require a second output transformer and outputs. I'm not entirely sure on that.
I know most companies offer headphone jacks to accomplish practice modes. These are usually driven only by the preamp into a Solid State OP-Amp output section. What you suggest is actually a really, really good idea that I'd really like to explore once I get some time to experiment with it.
This also brings to mind another really, really good idea, but I'd like to run it by Ax and get his input before saying anything here. | My idea would require a second output transformer, but for me, something like that would replace several amps. I know I would prefer the second option, being as it is one switch, practice and performance.
__________________ For this I will be judged.
My Life. POW! |
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11-12-2009, 03:39 PM
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#27 | | Registered User
Joined: Mar 2005 Location: 2 miles from banville Posts: 3,584
| Quote:
Originally Posted by BillSPrestonEsq My idea would require a second output transformer, but for me, something like that would replace several amps. I know I would prefer the second option, being as it is one switch, practice and performance. | I'm going to definitely look into that. The first option is too much work with awkward switching and wiring to really be feasible anyway.
__________________ RubberChipmunk
Mar 2005 - Oct 2010
Never forget the lulz. |
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11-20-2009, 11:41 AM
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#28 | | Registered User
Joined: Mar 2006 Location: Marietta GA Posts: 161
| I also vote to leave out the effects loop. I don't have an amp with one now and don't really miss it... but then again if I use a higher gain sound I'll do it with a pedal and have my delay(s) after that. I just prefer simpler setups these days.
DB
__________________ My current scaled back electric gig rig: Fender Am Std Telecaster, TU-2 Tuner, Boss NS-2 Noise Suppressor, Visual Sound Double Trouble, BOSS TR-2 Tremolo, DD-3 Delay, DD-20 Giga Delay, Vox AC15CC1X (Alnico Blue Speaker) or Fender Super Champ XD. Pedaltrain PT/2-SC pedalboard (love this board). Waiting for a Loop-Master 5 loop switcher to be built. |
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11-21-2009, 08:24 AM
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#29 | | Registered User
Joined: Mar 2005 Location: 2 miles from banville Posts: 3,584
| Quote:
Originally Posted by Dbmaj7 I also vote to leave out the effects loop. I don't have an amp with one now and don't really miss it... but then again if I use a higher gain sound I'll do it with a pedal and have my delay(s) after that. I just prefer simpler setups these days.
DB | By default we're going to put it in, but every single thing we sell will more than likely be able to be customized to taste. Leaving out loops is a very easy thing that we'd be glad to do for you if that's what you want.
__________________ RubberChipmunk
Mar 2005 - Oct 2010
Never forget the lulz. |
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11-21-2009, 10:33 AM
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#30 | | Arnold Palmers FTW
Joined: Feb 2005 Location: Anderson, IN Posts: 3,874
| Do you have any idea how much these amps are going to run?
I enjoy how if a person wanted, he/she could have an entire (and freaking amazing at that) custom guitar rig that is completely custom built by CGR people including the guitar, pedals, and amps. Heck they should all come together and start a CGR gear company that sells custom gear, haha.
__________________ Guitar Rig:
Guitars-Fender FSR Telecaster, Epiphone Les Paul
Pedals--SBN OMB Drive, SBN Triforce Fuzz, SBN BDAB, Danelectro TODv1, Danelectro CoolCat Tremolo, Danelectro PB&J, Marshall Echo-Head
Amp-Fender Blues Junior
Drum Rig:
DW Collectors (10, 12, 14, 20 bass, 14x5,5 snare)
Zildjian A Custom Cymbals (plus a Meinl Sand ride)
DW 9000 pedals
Vic Firth Sticks |
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