SPOILERS
Quote:
Originally Posted by Ax He needs to be stopped from messing with scripts and characters. He's the one who suggested Whiplash talk mostly in Russian and have the gold teeth and bird. |
I liked all of those additions. Ivan was a realistic character (at least, for a sci-fi action film).
Overall,
Iron Man 2 was bloated, unengaging, and tapered off to a predictable ending.
Was it worth my money? I guess. The movie was big on action. But you know...no, I wish I had just rented it. None of the action sequences were original or really required me to see it on a big screen.
In fact, the Monaco scene was the most ludicrous and insulting action scene I've seen in a semi-realistic film.
A good director/team would have focused on "Whiplash," making the point of the film a contrast between Ivan (who is using his genius only to dwell on revenge and the sins of the past) and Tony (who is using his genius to dwell on legacy and to move beyond the sins of the past). Instead, we got five plotlines mashed together.
Also, we got some half-assed quasi-libertarian thing. The US government was and wasn't the villain. It was weird. The film wanted to make the US government look threatening, but made time to goggle all over our [paid, non-drafted, career, brothel-patronizing, third world terrorizing] men in uniform. Both this and the first film seems to want to suggest that war is bad, but can't help but kiss the ass of the US military-industrial complex. God forbid the film point out that
no king wages war without willing soldiers.
At most we got Seantor Stern, who didn't seem to have much pull. Also: give how powerful the Iron Man suit was and how self-destructive Tony was, it was certainly reasonable (tabling my panarchic views) for the US military
to want a demonstrably effective weapon of mass destruction out of the hands of a playboy. Yes, true believers -
I found myself rooting for the military-industrial complex. And since Tony is just going to become S.H.I.E.L.D.'s whipping boy, what we were supposed to take away? That such power
doesn't belong to the government? Or it does, as long as the folks representing the government have some sort of James Bond independence from the government?
To raise another point - saying that nations unfriendly to the US will need five to twenty years to make an Iron Man analogue is ridiculous if it's meant to prove that the Pentagon doesn't need access to the Iron Man tech. THE US DEPARTMENT OF DEFENSE THINKS IN TERMS OF FIVE, TEN, FIFTY YEARS OUT! TONY BASICALLY PROVED THEIR POINT!
Superheroes are fascist. That's the damning contradiction at the heart of the genre. And this film just added to it.
Beyond this, the film wanted us to care for the characters, but they were just props for the action scenes. We learned nothing new about Pepper, her job was just to run around sputtering at Tony's thoughtlessness. Hell, we learned nothing about Tony -
he didn't have to overcome anything except a bunch of robots. He didn't manage to apologize to really anyone, he nearly killed bystanders in a fight with his best friend,
he endangered people by showing up at the expo in the battle scene,
he had the discovery of the new element handed to him,
a magic band of superspies came to his aid. The film never developed its likely message of "No man is an island."
Also, the film
went on and on about Tony pacifying the world but we never SAW ANY OF IT. Was it just that all these warring nations took a breather because he beat up a big robot and blew up some terrorists in the first film? Or did he
break international law and intervene in conflicts between the two films? Which is it? Was it just the stuff in the first film that gave the world a long period of peace that Tony boasted about, or was it the latter, which raises the question of why
the film didn't show a montage of that stuff OR
deal with the illegality of meddling in international affairs?
Also,
one videotape cannot reasonably make up for the emotional scars his father left. That whole "video from the past" nonsense felt like the screenwriter had an episode of
The Venture Bros. on in the background while he wrote.
P.S. There were tooooo many characters being featured.
P.P.S. I give this film one-and-a-half stars, only for the generally solid acting.