05-22-2007, 05:18 PM
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#16 | | Meat Popsicle
Joined: Nov 2004 Posts: 10,294
| Quote:
Originally Posted by RedsFan75 -Necessity - Playing at Church, Playing in the bedroom. Need a good practice amp that can also cut through the drums on Sunday. No miking, use a Direct box, so the amp will act as a monitor and preamp. Occasionally relay on volume along, but that will be in a solo setting. | Why no miking? I mean unless you're in a situation where you cannot have any stage volume or for some other reason can't mike it, then DI is a very bad idea. It sounds terrible when you use a line out... there is a serious loss of tone... Amps are designed to have a speaker load and for the speakers to be the final conveyor of tone. Line out is a tone killing option. Quote:
Originally Posted by thomaspg70 Tube amps just sound better. You can get a Classic 30 for about 300, so about 100 more bucks. | Not entirely true... there are some very good sounding SS amps... I'm not a fan of Randall, especially when compared to a decent tube amp... but they don't sound terrible. My biggest thing with SS though is that they don't do OD or Distortion very well unless you have a real high-end pedal...
Good SS companies include:
Acoustic Control
Some Tech 21 lines...
and some high end Randalls...
It's sad though that more companies don't make good SS amps...
__________________ Current Rig:
Guitars: The NightShade, Ibanez Artcore AG-85, Rogue ST-4 (and not ashamed of it)
Pedals: Dunlop Crybaby -> BYOC Lazy Sprocket -> SBN Soviet Power Booster -> SBN Modded Ibanez TS7 Tube Screamer -> Danelectro Cool Cat Fuzz -> SBN Discombobulamodulator -> Modded EHX Nano Small Clone -> Korg Pitchblack Tuner.
Amps: Vox Night Train, B52 AT-100
Cabs: Peavey 412 Slanted Cab and B52 AT-100 Combo Cab (sometimes connected to the Night Train). |
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05-22-2007, 05:23 PM
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#17 | | Registered User
Joined: Mar 2005 Posts: 6,792
| When it comes to showing the true dynamics of your playing, the tube amp reigns supreme. The Pod XTL doesn't give me that. So that's why I love a tube amp for low gain stuff.
__________________ "Truth is treason in the empire of lies." - Ron Paul |
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05-22-2007, 05:24 PM
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#18 | | Moderator
Joined: Apr 2006 Location: The Star Destroyer Chimeara Posts: 4,772
| Quote:
Originally Posted by AXguitar Why no miking? I mean unless you're in a situation where you cannot have any stage volume or for some other reason can't mike it, then DI is a very bad idea. It sounds terrible when you use a line out... there is a serious loss of tone... Amps are designed to have a speaker load and for the speakers to be the final conveyor of tone. Line out is a tone killing option.
Not entirely true... there are some very good sounding SS amps... I'm not a fan of Randall, especially when compared to a decent tube amp... but they don't sound terrible. My biggest thing with SS though is that they don't do OD or Distortion very well unless you have a real high-end pedal...
Good SS companies include:
Acoustic Control
Some Tech 21 lines...
and some high end Randalls...
It's sad though that more companies don't make good SS amps... | most of the high-end Randalls are hybrids, btw.
__________________ Quote:
Originally Posted by gtrdave The key to great tone is really found in the kind of hand soap that you use.
For years I used a typical off-the-shelf bar-type soap and I had no idea that, even though I rinsed properly and thoroughly after every cleansing, there was still a soap scum residue on my hands and fingers.
This negatively affected my tone in ways that I just can't describe.
Then, on a whim, a few years ago I wandered into a Bath and Body Works store at a local mall and picked up some of their gentle foaming anti-bacterial hand cleansers.
The difference in my guitar's sound is so wickedly improved that I no longer feel the need to buy a new amp or pedals or even strings...EVER!
So, it's my belief that tone is in the soap.
Thank you and goodnight. | |
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05-22-2007, 05:35 PM
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#19 | | major 4th to a minor 4th
Joined: Jul 2005 Location: England Posts: 876
| I thought there was an amnesty on tube vs SS amps discussions. Its opinion based anyway.
I would side with AXguitar about micing an amp. Since I persuaded our soundguy to mic my amp (a poor one at that) my guitar sounds much better and I've had way more comments about my playing. I don't take that as the yardstick for better tone/playing/etc but I don't think its coincidence.
Why don't you talk to the sound techs at your church about the options you have before buying something. It might be that they are fine about micing. Maybe they don't want stage volume in which case you would be best with an amp and speaker modeller. Maybe they have an isolation cab that you can use. You never know. |
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05-22-2007, 06:07 PM
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#20 | | Groove On
Joined: May 2006 Location: Cincinnati Posts: 388
| Stage volume isn't the issue it's plenty loud there, we mainly use our amps as our monitors, and the sound guys want control. Last time, I used my bass amp but they first set me up with no monitors and I was full in the house and main stage monitors.
I really think it's a control issue...  We're still praying for them.
The other guitarist goes through a GNX300 and the DI box, with his monitor amp being a Peavey Chorus... He keeps suggesting I get a Peavey TransTube amp....
__________________ Bach gave us God's Word. Mozart gave us God's laughter. Beethoven gave us God's fire. God gave us Music that we might pray without words. - quote outside an opera house |
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05-22-2007, 07:13 PM
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#21 | | sir.
Joined: Jul 2004 Location: Texas Posts: 3,351
| Quote:
Originally Posted by RedsFan75 He keeps suggesting I get a Peavey TransTube amp.... | I haven't had good experiences with these. I would suggest tube, but even if you go with SS you can do better than that. |
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05-22-2007, 07:28 PM
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#22 | | Registered User
Joined: Aug 2003 Location: Cincinnati, Ohio Posts: 3,787
| Quote:
Originally Posted by RedsFan75 Stage volume isn't the issue it's plenty loud there, we mainly use our amps as our monitors, and the sound guys want control. Last time, I used my bass amp but they first set me up with no monitors and I was full in the house and main stage monitors.
I really think it's a control issue...  We're still praying for them.
The other guitarist goes through a GNX300 and the DI box, with his monitor amp being a Peavey Chorus... He keeps suggesting I get a Peavey TransTube amp.... | The sound guys will still have the exact same control whether you use a mic or some DI thing. Here's how I have approached it in the past. "my amp does not have a direct out..." I then show them my SM57 and the little short stand I use for it. "...this is what I use. If you don't have an extra cable for it, I have one." I'm not lying, my amps do not have a direct out, and even if they did there is absolutely no sense in using it when I have the superior solution in hand. For me, it is not an option; if I'm playing, I'll provide the sound guy a signal to use - at the end of a mic cable. I'm not trying to be a hard liner, but sometimes you have to stand your ground, especially when you are right, and they are wrong. If they are worried about other stuff bleeding into it, that really should not be a significant factor with a close mic on a loud amp.
Tube vs. SS or modeler. SS, modelers, distortion devices all mimic what a tube amp does. I think everyone will agree that some devices do that better than others. Some may argue that these mimicing devices are almost as good as, or even as good as the real thing. Maybe so. I do think that most would agree that modelers are so tweakable that it is just as easy (maybe easier) to get bad sounds as it is to get good ones. What I do is just use the real thing and have no doubts. And a clear conscience.
__________________ Shut up 'n play yer guitar |
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05-23-2007, 02:14 PM
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#23 | | Dan ''Spiffy'' Neuman
Joined: Oct 2005 Location: Madison, WI Posts: 479
| Quote:
Originally Posted by Major Tom If they are worried about other stuff bleeding into it, that really should not be a significant factor with a close mic on a loud amp. | I think their concern is more, your amp bleeding into other makes. Sometimes it's also room on stage. I undertstand, but I need my amp. Not only does it not sound right without it, but I cant count on the soundguy to give me enough of myself in my monitor. I've done live sessions where I couldnt hear myself at all-- that's terrible. I want my amp right by me if possible. |
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05-23-2007, 02:25 PM
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#24 | | Algebraic!
Joined: Apr 2001 Location: San Diego, CA Posts: 24,454
| Quote:
Originally Posted by mt_spiffy I think their concern is more, your amp bleeding into other makes. Sometimes it's also room on stage. I undertstand, but I need my amp. Not only does it not sound right without it, but I cant count on the soundguy to give me enough of myself in my monitor. I've done live sessions where I couldnt hear myself at all-- that's terrible. I want my amp right by me if possible. | indeed. it became an issue or stage space and controllability at my church. There was simply not way to have everything running hot on stage (guitar, bass, drums) without making it very hard for the vocalists to hear out of their monitors.
That being said, if you're already going to have the amp on stage for your own monitoring, then definitely just throw a mic on there. You can still use the amp as a monitor, and send a much more natural signal to the soundman. |
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05-23-2007, 03:22 PM
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#25 | | Meat Popsicle
Joined: Nov 2004 Posts: 10,294
| On every PA i've worked with you can cut the signal on each amp from the monitors if you want... So the amp is good for your own monitoring and you can cut the amp mic from the monitors so only the vocals come through.
__________________ Current Rig:
Guitars: The NightShade, Ibanez Artcore AG-85, Rogue ST-4 (and not ashamed of it)
Pedals: Dunlop Crybaby -> BYOC Lazy Sprocket -> SBN Soviet Power Booster -> SBN Modded Ibanez TS7 Tube Screamer -> Danelectro Cool Cat Fuzz -> SBN Discombobulamodulator -> Modded EHX Nano Small Clone -> Korg Pitchblack Tuner.
Amps: Vox Night Train, B52 AT-100
Cabs: Peavey 412 Slanted Cab and B52 AT-100 Combo Cab (sometimes connected to the Night Train). |
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05-23-2007, 04:26 PM
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#26 | | Algebraic!
Joined: Apr 2001 Location: San Diego, CA Posts: 24,454
| Quote:
Originally Posted by AXguitar On every PA i've worked with you can cut the signal on each amp from the monitors if you want... So the amp is good for your own monitoring and you can cut the amp mic from the monitors so only the vocals come through. | very true...though I didn't realize that was being questioned somewhere. |
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05-29-2007, 01:16 PM
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#27 | | Groove On
Joined: May 2006 Location: Cincinnati Posts: 388
| Got a great price on a Blues Jr. Should have it before the end of the week.
Thanks for the input everyone.
__________________ Bach gave us God's Word. Mozart gave us God's laughter. Beethoven gave us God's fire. God gave us Music that we might pray without words. - quote outside an opera house |
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05-29-2007, 01:18 PM
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#28 | | Algebraic!
Joined: Apr 2001 Location: San Diego, CA Posts: 24,454
| Quote:
Originally Posted by RedsFan75 Got a great price on a Blues Jr. Should have it before the end of the week.
Thanks for the input everyone. | congrats! let us know what you tihnk after you break it in. |
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05-29-2007, 11:57 PM
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#29 | | Registered User
Joined: Mar 2005 Posts: 2,494
| Quote:
Originally Posted by RedsFan75 Got a great price on a Blues Jr. Should have it before the end of the week.
Thanks for the input everyone. | Congrats dude! You will not regret it!
__________________ MIJ Aria Pro II Les Paul (1984?)
Fender Highway One Strat
Sennheiser G2 300 Wireless Receiver, T1M Buffer, Korg Pitchblack, Boss LS2, Ernie Ball VP Jr, Line6 Verbzilla, MXR 10-Band EQ, Dunlop 535Q Wah, Visual Sound Jekyll & Hyde, SBN Lil' Eagle, SBN BDAB, Tenwatt Rat clone, Barber Tonepress, Visual Sound H2O, Ernie Ball VP Jr, Eventide Timefactor
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