It's be a lot like this...
*revives old design*
My custom made idea...

At least, I would if I had the cash
1” thick mahogany topped with a 0.5” 5A quilted maple bookmatched top, carved arch-style top
Birds-eye maple neck, Fender C shaped
Matching maple headstock w/quilt maple veneer, angled back 13 deg.
Brazilian rosewood fingerboard
24 fret neck, 25.5” scale length, 12”-16” radius
Fret spaces scalloped after 12th fret
Bolt-on neck with all-access joint
Body black/green/blue 3 tone sunburst, black dyed headstock top w/ white logos
Neck w/ natural satin finish
Cream binding around body
Vine-style full-fretboard inlay, in Abalone
Schaller locking tuners (Gold)
Wilkinson Tremolo (or similar), installed with GraphTech GHOST saddles (Gold)
Gold pickup rings
Earvana nut
Jumbo frets
Schaller Straplock-ready buttons (Gold)
Gold dome knobs with abalone caps
Gold square jack plate, LP style
Seymour Duncan JB in bridge position
Seymour Duncan Jazz in neck position
Fender Noiseless in middle position
GraphTech GHOST Acoustiphonic & Hexpander preamp
Push/Push “mid/dark” switch pot for GHOST preamp
GHOST Quick Switch
GHOST Hexpander volume
StewMac Super Switch w/ this wiring...

3P3T mini switch to split coils in neck and bridge pickups
DPDT mini switch to reverse phase of middle pickup
Master Volume for mag pickups, w/DPDT push/pull to split bridge and neck pickups
EMG-VMC and EMG-BTC tone circuits
Stereo phone jack to Acoustiphonic Preamp
MIDI Volume
Midi jack
AXON synthesizer
COMPLETE INTERNAL SHIELDING
which basically turns into this:
And the finished product will look something like this:
Either that, or something that looks kinda like the state of Utah.....