[ABPOS]

We'll see if this american goodness shows up

[pooleman0]

Built a new board today. I was tired of lugging an 8 pound volume pedal on my board so I took it off. Then I decided to just build a new one. Here are some pics.







Signal is:

American 57 Reissue strat-->OCD-->OCD--Dual looper-->Volume pedal in loop 1-->Polytune in loop 2-->Nova Delay-->Fender Deville or Silverface Princeton.

I installed 4 jacks on the back. Input, output, and connection attached to loop 1 of the looper. That way I can leave my volume pedal at church as I do not ever use it at home. I can also add other pedals into the loop if desired. Pedal power is under the board with most of the cabling. The only thing I forgot to do was install the power recepticle. This is a pain now as I installed a closed bottom on the board. Oh well. I'll get to it next week

[Brian Krashpad]

Last post in this thread is over a year old, my 2009 composite photo. Here's the 2011 version:

[Carlos B. III]

Here's my current Worship Guitar Rig Setup 3-2011

Waipio Grace Brethren Church Hawaii

Wayne Rock Legend Guitar
Cameron Modded Marshall SLP RI Head
Splawn 4x12 Cab W/ Celestions H30's
+ Rack W/ Toys!

Aloha, Carlos

cb3productions@yahoo.com

[Ben Toast]

[Kris.]

My Fender Telecaster:



Uploaded with ImageShack.us



It is a Fender Baja, from Mexico. With a Nocaster '51 pick up in the bridge. I want to put a Texas Special in the neck, and maybe I'll change the bridge.

[thesteve]

[Plexi8759]

http://i1229.photobucket.com/albums/...g?t=1303051117
http://i1229.photobucket.com/albums/...g?t=1303051117
http://i1229.photobucket.com/albums/...g?t=1303063741

Here is some pedal board pics ... Kindof ridiculous but I typically only use what I need for a given set list. In the last pic the small board on the left has my time based effects which I put in the effects loop of my Rane mlm42 mic line mixer post the mic'd speaker cabs.

http://i1229.photobucket.com/albums/...g?t=1303073997

Here is my two main guitars:
2002 Gibson Les Paul Standard (coil taps in bridge and neck p/u & push/pull phase switch)
1987 Gibson SG Standard (coil tap in bridge p/u)

http://i1229.photobucket.com/albums/...g?t=1303050055

1980 Marshall JMP 50w
1979 Marshall JMP 100w
Marshall 30th aniv 6100 100w
Vox heritage hardwired AC 30 head
Fender 65 RI Twin Reverb

Marshall 1960AV 4x12 cab (celestion vintage 30's)
Marshall JCM 800 1960B 4x12 cab (celestion G12C 30's)
1976 Marshall 1960A 4x12 cab (celestion 25w Blackbacks)
White Sourmash A 4x12 cab (wgs et65's & wgs vet30's)
Blue custom B 2x12 cab (webber alnico blue & webber alnico silver)

[Stooty]

I have a Vintage Mahogany Les Paul Studio - Epiphone Sheraton II and a Marshall DSL 100 watt...

[nobodyspecial]

I guess I will chime in here. Its been 7 years since I picked up a guitar, but I pulled them out of storage to get back into it.

Squier Tele and a Fender Stage 112 SE is my go to rig.

[Dark Helmet]

my Epi LP Custom and my 5-year-old...

[Steve St.Lauren]

Here's pictures of my rig. The first picture has a better shot of my audio rack and effects. The second is my recently finished custom Warmoth strat that I spent 5 months designing and building (it was actually assembled by a local luthier):

Here's the specs:

Top Rack:
Behringer X1204USB mixer
Behringer FBQ1502 EQ
IBM laptop w/Reaper and Transcribe!
Technical Pro PS-B11 11 outlet power supply
Gem Sound XPS1000 Power AMP
2u Drawer

In the bottom rack is:
3u Drawer
Digitech RP500
Planet Waves tru-strobe pedal tuner
two pedals to control my drum machine which is an Alesis SR-16 which is just to the right
Akai LPD8 Midi controller using it as a foot controller

It's powering two DCM Speakers.

The guitars on the wall are a Takamine EG260C and a Squier MA-1 (my daughters)

(Blue strat) Squier Affinity strat that I've changed the pickups to an HSS setup from Dragonfire (currently rebuilding this one with DAllen pickups and a Warmoth neck as a D tuned 2nd guitar).

Here's the specs on the Warmoth Strat:

Schaller locking tuners (chrome)
Maple Warmoth Pro neck w/Indian rosewood fingerboard - Vintage tint satin finish
Custom logo designed by me on the headstock w/MADE IN USA and HOTROD STRAT (in the same font as the stratocaster on a fender headstock) and the Warmoth logo
1 11/16" nut width
Fender LSR roller nut
Standard thin neck contour
10"-16" compound radius fingerboard (22 frets)
SS6105 frets
Abalone dots
Custom polished aluminum neck plate with machined W Warmoth logo and an S'69 (letter of my name and year I was born)
Chambered swamp ash body with swamp ash laminate top (3 lbs 10 oz)
Tobacco burst finish front & back
front HSS route, top jack
Fender two point chrome tremolo
Black/White/Black pickguard
Hennessey deluxe chrome strap locks
Lace Holy grail pickups in neck and middle
Lace Dually Red/Silver humbucker pickup in bridge
Double Treble Python strap

Here are the switching options:

S1 switch (from american deluxe) in volume w/custom wiring allowing the following pickup options with the 5 way:

S1 Up:
1 - Bridge
2 - Bridge & middle in parallel
3 - Middle
4 - Middle & neck in parallel
5 - Neck

S1 Down:
1 - Bridge & middle in series
2 - Bridge & middle & neck in parallel
3 - Bridge & neck in parallel
4 - Bridge & neck in series plus middle in parallel
5 - Neck & middle in series

the top tone pot is a master tbx control pot which is a 2 way tone pot with a middle detent that allows you to cut treble or bass

bottom tone pot is a push/pull pot wired to work as a variable coil split for the humbucker so I can use either coil individually, both together, or one at full volume and the other at variable volume along with all the above options

and a fender passing lane switch to bypass the volume & tone pots and go straight to the humbucker

[cotten]

I have other guitars and various other instruments and amps, but this is the one that is capturing my heart at the moment. It's being built for me by Tim McKnight, made possible by the contributions of fellow members of the Acoustic Guitar Forum. It will be presented to me at the Healdsburg Guitar Festival in Santa Rosa, California, in August. In this shot, Tim was applying another coat of finish. You can see the incredible grain pattern of the zircote back and sides, as well as the binding and purfling.




And one of the back of the headstock, showing the only reason I could ever afford, as a music minister, a glorious guitar like this.



cotten

[jamforchrist123]

A close up of the guitars and the "gear corner."

It appears the pictures are upside down.... hmmmm *rubs imaginary beard*

[pfirst]

This is a picture of my Ibanez 103 BM (burl maple) I was surfing the WEB looking at small guitar stores and I sow this beautiful guitar. It has all of Ibanez top parts and finish it 's fit and finish is very nice. I play this guitar in praise team more often than anything else.