"Lake City" by Bebo Norman
From the album "The Fabric Of Verse"
Words and music by Bebo Norman
Copyright © 1996 Bebo Norman
bebonorman.com   awakeningrecords.com
Transcribed by T-rev http://www.t-rev.net


Capo 2 on a standard-tuned six-string acoustic.  Finger pick at a 
moderate tempo in 4/4 time.  Bebo plays fingerstyle with acrylic nails.  
It's in G major relative to the capo (which is concert A).

     These are the finger positions that I think are best to use.  
Though they may not be the most natural for each individual chord, they 
are best because they lend themselves to quick, easy chord changes and 
hitting the extra notes within chords.  For instance, by using the same 
finger for both the 3rd and 5th strings (one at a time, don't bar) in 
the G6/B chord, you force yourself to play the odd A bass note on beat 
4 (that you might otherwise forget) because you have to move your 
finger to the 3rd string on beat 3.  You get the idea.  Anyway, these 
are the best fingerings overall, but if you prefer other fingerings 
that's up to you.  The positions in parentheses are what you move to 
while playing that chord.


_____G9______    ____G6/B_____    _____C2______    ____Dsus4____    
-----o-o-o---    -----o-o---o-    -----o-o-----    -------o-----    
 | | | | | |      | | | | | |      | | | | | |      | | | | | |     
-------------    -------------    -------------    -------------    
 | | |(1)| |      | 1 |(1)| |      | | | | | 1      | | | | | |     
-------------    -------------    -------------    -------------    
 3 | | | | 4      | | | | 4 |      | 3 | | 4(4)     | | | | 1 |     
-------------    -------------    -------------    -------------    
 | | | | | |      | | | | | |      | | | | | |      | | 2 | | |     
-------------    -------------    -------------    -------------    
 | | | | | |      | | | | | |      | | | | | |      | 3 | | | 4     
-------------    -------------    -------------    -------------    


1                               2
 1       2       3       4       1       2       3       4
|--------------3----------------|--------------0----------------|
|----------0-----------0--------|----------3-----------3--------|
|------0h2---------2-------2---0|------0-----------0-------2---0|
|----0-----------0-------0------|----0-------0---0-------0------|
|-------------------------------|2-------2-----------2-------0--|
|3-----------3-------3-------3--|-------------------------------|
 G9............................. G6/B........................... 

3                               4
 1       2       3       4       1       2       3       4
|--------------2-------3--------|--------------5----------------|
|----------3--------------------|----------3-----------3--------|
|------0-----------0-------0---0|------0-----------0-------0----|
|----0-------0---0-------0------|----4-------4---4-------4------|
|3-------3-----------3-------3--|5-------5-----------5-------5--|
|-------------------------------|-------------------------------|
 C2............................. Dsus4.......................... 

17                              18
 1   2   3   4   5   6   7   8   1   2   
|----------0-----0h2------------|----3---
|------3-------3---------3------|----3---
|----2-------2-------2----------|----0--- strumming chorus
|0-------0----------------------|----0---
|-------------------------------|----x---
|-------------------------------|3-------
 D.............................. G.......


chorus
3x0033 G
x30033 C9
xx0232 D (with measure 17 lick)


verses
x30000 C2maj7 first time instead of C2


bridge
Em D/A G E/G# Am G D/F# D 


last choruses with mandolin
3x0233  G9


Transcribed 3/18/1998 by T-rev
More tab available at http://www.t-rev.net