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Submitted by: DarthDaporHide Red Essential Records tuning: dropped C# (or Db) intro: piano strings then guitar 1(deeply distorted MAYBE an echo): D#|----------------------15-14-12--| A#|--10H12---13p12-10H12-----------| F#|--------------------------------| C#|--------------------------------| X 15 G#|--------------------------------| C#|--------------------------------| guitar 2(MASS distortion): D#|-------------------| A#|-------------------| F#|-------------------| C#|--0~3~7~~-0~3~8~~--| X 2 G#|--0~3~7~~-0~3~8~~--| C#|--0~3~7~~-0~3~8~~--| Verse no guitar except at the very beginning it ALWAYS goes: D#|--------| A#|--------| F#|--------| C#|-0/0--0-| G#|-0/0--0-| C#|-0/0--0-| (be sure and mute that with your left hand) Pre-Chorus: single guitar: D#|--------| A#|--------| F#|--------| C#|-0/0--0-|X 4 G#|-0/0--0-| C#|-0/0--0-| Chorus: both guitars: the chords here are pretty versatile as far as the rhythm goes.. ..but I suggest D#|---------------------------------| A#|---------------------------------| F#|---------------------------------| C#|-8-8/8-8-0-0/0-0-3-3/3-3-7-7/7-7-| G#|-8-8/8-8-0-0/0-0-3-3/3-3-7-7/7-7-| C#|-8-8/8-8-0-0/0-0-3-3/3-3-7-7/7-7-| D#|---------------------------------| A#|---------------------------------| F#|---------------------------------| C#|-8-8/8-8-0-0/0-0-7-7/7-7-5-5/5-5-| G#|-8-8/8-8-0-0/0-0-7-7/7-7-5-5/5-5-| C#|-8-8/8-8-0-0/0-0-7-7/7-7-5-5/5-5-| 1st post-chorus: (intro...but half as long) (verse) (Pre-Chorus) (Chorus X 2) Bridge: one guitar (distorted): D#|--------------------| |---------| A#|--------------------| |---------| F#|--------------------| |---------| C#|-0H1-0/0-0/1p0-0/0--|X 4 after second|-x-x-x-x-| G#|-0H1-0/0-0/1p0-0/0--| |-x-x-x-x-| C#|-0H1-0/0-0/1p0-0/0--| |-x-x-x-x-| then it gets softer..this sounds acoustic, but I think it is still electric, it has a light buzzy distortion on it... D#|-----------------------------| A#|-----------------------------| F#|-----------------------------| C#|-----8--8----3----5-----0--0-| X 5 G#|---8/8--8--3/3--5/5---0/0--0-| C#|-8-8/8--8--3/3--5/5-0-0/0--0-| then both guitars louder with heck of a lot of distortion D#|----------------| |--------------------------------| A#|----------------| |--------------------------------| F#|----------------| |--------------------------------| C#|-8~~-3~-5~-0~~~-| X 3 Then:|-8~~-3~-5~-3-3-3-3-3-3-3-5-5-5-5| G#|-8~~-3~-5~-0~~~-| |-8~~-3~-5~-3-3-3-3-3-3-3-5-5-5-5| C#|-8~~-3~-5~-0~~~-| |-8~~-3~-5~-3-3-3-3-3-3-3-5-5-5-5| (drums) (chorus) Ending: 1st guitar: (same distortion) D#|---------------------------| A#|---------------------------| F#|---------------------------| C#|-0~-8/8/8/8-0~-10/10/10/10-| X 7 G#|-0~-8/8/8/8-0~-10/10/10/10-| C#|-0~-8/8/8/8-0~-10/10/10/10-| 2nd guitar: (copy cat distortion) D#|------------------------------| A#|------------------------------| F#|-x-10/10/10/10-x--12/12/12/12-| C#|-x--x/-x/-x/-x-x---x/-x/-x/-x-| X 7 G#|-x--8/-8/-8/-8-x--10/10/10/10-| C#|------------------------------| lastly..... D#|----------------| A#|----------------| F#|----------------| C#|-0H1-0-0/1p0-0--| G#|-0H1-0-0/1p0-0--| C#|-0H1-0-0/1p0-0--| (There follows the greatest string/piano combo exit in all of Red history! Dare I say it even rivals Wavorly...but thats another tab for another time...:D God bless)
